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Art Catalogue:
Indelible Souls
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"It could be said that Reid looks skyward through his subject's eyes for
understanding and Rebecca seeks the earth's energy and knowledge through the
roots of her trees."
Rebecca
Mason and Reid McLachlan, 2009.
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Becky Mason and Reid McLachlan's paintings profiled in the hard cover fine
art book Indelible Souls.
This hard cover, 11" x 8 1/2", 44 page full-colour catalogue celebrates Mason
and McLachlan's duo art exhibition Indelible Souls that took
place August, 2009 at the Cube Gallery, Ottawa, Canada.
We
printed only 20 books using a print-on-demand Canadian company that specializes is high
quality inks and environmental paper
www.photobookcanada.com
(off-site
link). We only have a limited amount left.
Each
linen covered book is individually bound by hand, using a side-stitch binding method that provides exceptional bind
strength and comes with a hand painted original
painting and a woodcut print attached to the end pages. The books will also be signed by both artists.
To purchase our
Indelible Souls full colour hard cover catalogue please go to our giftstore.
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Rebecca Mason, watercolour on paper, 2" by 11",
2009
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Each
catalogue comes with two original art pieces attached to the end-papers of
this fine art hard cover catalogue. Reid has created a woodcut print from
his Heavenly Bodies collection and Becky has painted watercolours from her tree series.
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Reid McLachlan, woodcut, 6" by 5 1/4",
2009
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Book
Foreword by Paul Gessell
At first blush, Rebecca Mason and Reid McLachlan seem to have little in common beyond the home they share in rural Chelsea, Quebec. Upon closer examination, we soon realize that both of these artists deal in secrets from their separate studios in that home. Mason’s secrets are those of the natural world. McLachlan’s secrets involve people.
Mason’s paintings of forests, rivers and hills can be deceptively gentle. But all is not bliss. Inspiration for these works often comes from disasters. There are natural ones like the infamous 1998 ice storm. There are man-made ones that cause environmental degradation. And there are disasters of a more spiritual nature that await those who penetrate a metaphorical forest of dark secrets.
In this body of Mason’s work, we see in the foreground trees with personality. They are proud and assertive. They are also intent upon crowding out everything around them. In the barely visible background, we see forests filled with the ghostly cries and whispers of other trees, other plant and animal life, with stories more muted, their secrets still hidden.
McLachlan’s paintings are more blunt. They are filled with conflict and tension. Dark thoughts like smoke emanate from them.
In many, a man and woman sit side-by-side, staring in opposite directions, like Prince Charles and Diana in the last days of their troubled marriage. Like the royals, McLachlan’s characters are simply not connecting. They are unable to forget last night’s quarrel. We do not know the cause of the quarrel. But we guess. And we all place upon these paintings the memory of our own lover’s quarrel.
I have known Mason and McLachlan and closely followed their careers for 13 years. I have slowly been unpeeling the layers of secrets in their work. There are still many fascinating layers to
uncover.
Paul Gessell, 2009
Former arts critic with the Ottawa Citizen.
To purchase our
Indelible Souls book please go to our giftstore
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